Search results for "poesia catalana medieval"
showing 3 items of 3 documents
The lai “Si bé, Fortuna, has dat lo torn”: a critical edition of the catalan poem from the novel Triste deleitación
2019
The Castilian novel Triste deleitación, written in the late fifteenth century by an author from the Crown of Aragon, includes several letters and poems. One of these poems, “Sy bé, Fortuna, as dat lo torn”, is written in Catalan. This article presents the poem’s annotated critical edition, which reports how it is indebted to the Catalan lyrical tradition. Written in an evolved form of the French lai cultivated by various Catalan poets, the poem is clearly influenced by Pere Torroella’s lai “Qui volrà veure un pobre estat”, and linked to two other similar lais also dependent on Torroella’s. This edition is completed by a translation into modern Catalan. La novel·la en castellà Triste deleita…
Le trame oscure nella poesia di Ausiàs March: il caso del canto 28
2018
Anàlisi de la tendència d'Ausiàs March a postposar la clau d'intel·lecció del tema argumental als seus poemes, en una dispositio retòrica que cerca deliberadament l'obscuritat. Aquesta anàlisi és complementada per l'exposició del tema argumental del famós però obscur poema 28, "Lo jorn ha por de perdre sa claror". Aquest tema argumental revela un jo poètic que, malgrat els seus ideals d'amor pura, planeja com seduir sexualment una dama. An analysis of Ausiàs March's propension to postpone clues for understanding plot subjects in his poems, in a rhetorical dispositio which deliberately chooses obscurity. This analysis is complemented by the plot subject's exposition of the famous but obscure…
El jo literari i les noves rimades de Pere March
2021
This article first surveys the use of the first person in medieval writing, showing its literary worth, and establishing the validity of this approach to Catalan literature. Secondly, it is suggested that Catalan fourteenth century noves rimades are a genre in which a substantial amount of creativity and empirical circumstance were virtually unavoidable, at least when written in a courtly environment. Both these general points of view provide the framework for a close analysis of Pere March's noves. Special attention is given to his merging of a wide range of literary traditions that interact with his different personae, either to build up courtly divertimenti (Lo compte final, Lo mal d'am…